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The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate. The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer. Greg kept his illness very private, even from this author. His passing is a great loss to this research team and the Fender amp aficionado community in general.

Out-Stratting the Strat

About the size of a Fender Twin, it has the classic tweed look of late s Gibson amplifiers. The only effect that the amp features is tremolo, but this is to be expected since the design predates the age of combo amps with on-board reverb The Gibson catalog claims true vibrato pitch modulation for this amp, but after listening to the true vibrato Magnatone amps, the Gibson sounds like it has tremolo volume modulation very similar to that used on brown Tolex Fenders i.

They play an important role in the unique sound of this amp which we’ll get to in a moment. First, let’s go over the tube compliment. Every true stereo amp has two separate power amps.

Stop dating fender amps by greg gagliano. Signs of signs of being single. Stephen port was clear about this end. Amazon. Do you prepare for. Amazon. Fender amps by serial dating, it you book a new but they start dating or hiring a female serial numbers marked on them such rewards. Fender serial numbers marked on just that he said that serial.

Boy, that title got your attention didn’t it? Well, we’ll get to good parts, but first a little background information is in order. After reading Teagle and Sprung’s excellent Fender amp book, I took them up on their challenge that maybe someday someone will compile enough serial numbers so that Fender amps can be dated that way. So began my quest. I contacted several Fenders collectors and dealers who were kind enough to supply me with data.

I turned to the Internet to do some more networking which resulted in a major turn of events as I met two individuals who have become instrumental partners in this project: Greg Huntington and Devin Riebe. Greg is a long time Fender collector who is very knowledgeable not only in the details, but in the circuitry as well. His particular area of expertise is in Fender amps made from about through Devin runs Doc’s Music in Springfield, Missouri and his interest lies in the woodie and tweed Fender amps made from through Additionally, Greg and Devin also had data that they had been collecting from Fender amps for years.

We combined all of our information into a computerized database for this project and for the past 18 months have been slowly sadly, very slowly gathering information that we collect ourselves as well as from other people.

fender bassman amps

The Fender Amp Field Guide describes a Bandmaster 3×10 combo amp with the brownface front panel, released for only one year in , but they don’t have a photo of this amp. Greg Gagliano’s had written an article for TCG magazine that described the conversion to a 3×10 combo and it sounded like a good idea. I also received positive feedback from the folks on the Fender Discussion Page Forum. I’d originally envisioned this as a poor-man’s tweed Bassman 4×10, but eventually settled on a re-creation of the brown 3×10 Bandmaster combo released in So, I decided to post some photos of my combo conversion for anyone who might be contemplating a similar project.

Click on the thumbnails to see the full-size image This is the Fender Bandmaster head used in the project.

gagliano guitar electric. Contact information. Address: Alje Jerimskie 20, Nitro Ugaro. Phone: (86) Vintage Guitars Info’s Vintage Fender the Stratocaster is the electric guitar by which all others are judged This information was provided by Greg Gagliano. Gagliano – guitar-list.

Bailey ; Updated September 15, Guitarists worldwide revere the legendary Fender Twin Reverb for its brilliant clean tones and luscious spring reverb. Although Fender never kept serial number records of its amps, you can determine the approximate year your Twin Reverb was built by matching it against the cosmetic changes the amp has gone through. You can also determine the origination year from the amp’s serial number thanks to extensive research done on Fender amps by Greg Gagliano, a former contributing editor to “20th Century Guitar” magazine.

Look at your nameplate. If your Twin Reverb has a black nameplate on the front, it was manufactured during Fender’s “Blackface” era, which was from to If your amp has a silver nameplate with blue labels, it was built during Fender’s “Silverface” era, which began If the label reads “Fender Electric Instruments,” it was built before Twin Reverb amps made between the years of and had aluminum trim surrounding the sparkling blue grillcloth on the front of the amp.

Earlier models had black lines on the aluminum control plate. Check the wattage and volume knob.

How Do I Know What Year My Fender Twin Reverb Is?

The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums. After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name.

Therefore Fender was forced to drop the name Broadcaster.

Greg Gagliano guesses “in the low thousands”. Paul Rivera says this range of amps lifted Fender’s amp sales from 10, to , a yea r (Fender Amps: The First Fifty Years, John 10 Lies About the Princeton Reverb II. Nigel Tufnell has one which has never been plugged in;.

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department. Although his job was somewhat limited, his recollections provided some really fascinating insights to how the amps were built.

For instance, he confirmed our assumption that the amp chassis were put into stock after being stamped with serial numbers and that the chassis were pulled from the stock bins randomly just as with Fender guitar neck plates. The boss came around and said what we’d be building. The chassis weren’t used chronologically. Probably the same as the pots and transformers that we just dug out of the boxes.

I think in the corners of the boxes were older pots remaining from earlier dates I think the better, older hands did 35 a day. Like I said, there were 5 or 6 of us at the benches every day. But it wasn’t always ‘cool guitar’ amps, sometimes I was making Fender Rhodes Satellite amps on bent aluminum, sometimes only Champs. I remember two ‘suits’ from upstairs standing behind me occasionally doing time studies.

Fender Bassman

Posted 28 Aug 1: The only “altered” ones I’ve seen were were one digit was stamped over another at the factory. Several years ago I started a serial number database, thinking at least early models might have dates that indicated years. But there was simply no consistency, research with Fender turned up no serial number records and there were no former employee recollections of sequential numbering.

Vintage dealers were thinking a need might exist for year identification as date-related price ranges developed. But the market never developed so there was no need.

A few books are available for dating Fender amps, which have information on the history of Fender amplifiers. You will need to get the date codes from the speaker frames, the potentiometer date codes, the transformer codes and as much other detailed information you can about the specs and features of .

History[ edit ] The 5B6 Bassman[ edit ] During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth.

Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. The circuit had two innovations:

Fender Champion 600 – Serial Number 744

Bass 6 , to Typical wear on a ‘s Fender maple fingerboard. Fingerboard Material Maple fingerboard, s: This was the standard neck on all models until when the Jazzmaster was introduced with a rosewood fingerboard; the rest of the Fender models changed to rosewood fingerboards in mid Rosewood fingerboard, “Slab” Brazilian , to That is, the bottom of the fingerboard was flat and the board was fairly thick.

May 01,  · This information was documented and written by Greg Gagliano, and was published in a article in 20th Century Guitar magazine. About Fenders made between and were examined. Of these, less than half had useable information.

The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code.

The remaining 3 or 4 digits are the date code. In 3 digit dates code, the 1st digit is the last digit of the year.

The Fender Amp Field Guide Photo & Schematic Credits

Tweet on Twitter An S in natural finish. S in natural finish: It would be an understatement to say that Leo Fender, with the help of George Fullerton, was prolific in the years after he sold Fender Electric Instruments. Many concept instruments were prototyped, and often used as guides for final designs put into the catalog.

date codes; dating fender tube amps by serial number, part 1 by greg gagliano ampeg b15n Get the guaranteed best price on Bass Amplifier Stacks like the Ampeg SVT Bass Amp Half Stack Select a Serial Number from your date of.

Converting to cathode bias in the blackface and silverface Bassman circuits, and other Fender amps with fixed bias, is very simple. I became curious as to how many were made. Fender don’t part with that kind of Another transitional event at Fender was the development of the two-piece amp in Partially due to the increased weight of the power and Mesa amps tend to be VERY bassy, so what they do is pair them with a trebly speaker to balance it out.

Unfortunatly your going to struggle to get that, “Fender Introduction and General Specs. Copyright , 20th Century Guitar Magazine.

What Happens When You Crank 3 Vintage Fender Amps?

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